Showing posts with label Beauty. Show all posts
Showing posts with label Beauty. Show all posts

Saturday, August 06, 2016

Destino (2003) by Salvador Dali and Walt Disney



This is one of the most beautiful things I have ever seen.

Having now watched the short film, it seems the most natural of combinations, but prior to viewing, I would have never in my life imagined seeing something that was so quintessentially Disney while simultaneously bearing Dali so brilliantly in its essence. The surrealism of Fantasia delivered no form of preparation for such a visual and symbolically emotional onslaught.

Tremor

Love, blood mingling death and life.
Time taunting ends, beginnings, curves.
Beauty an eviscerating waltz.
To-ing, fro-ing, eternity, atrophy.
Hope imbibed in gulps, in chokes.
Desolation, desire, helically bound.
Mind's lids droop inescapably rent.
Destiny swallowed whole.



Sunday, February 07, 2016

Paris, je T'aime... indeed. Indeed I do.

Paris je T'aime - 14e arrondissement 

Though I bought the movie quite a while ago, I only finally watched it today and I adored it. Such an immersive and beautiful film that further delighted me personally as a lover of Paris who hopes to one day return and see all that I didn't see (the first short by Bruno Podalydès reminded me right off the bat that I have yet to visit Montmartre). Each story was touching and well executed (yes, even the oddball vampire love story between Elijah Wood and Olga Kurylenko, certainly the most bizarre of the lot, though I daresay it still fit) and I was pretty well entranced from start to finish.

This, however, is particularly due to my absolute favourite out of all the segments - 14e arrondissement (linked above). I love this one. Alexander Payne, what a lovely and simple way to bring the movie to its close. Beautifully shot, as were all the rest, and Margo Martindale, superbly bad French accent and all, was absolutely perfect in it.

I loved every little bit - from the notion of this sweet mail carrier from Denver taking French classes so she can go and have an adventure in Paris, to her relishing in her independence and thus skipping on a tour group, to her elegantly insightful ruminations about dictators, love and Paris itself - all exquisitely tied up by her poorly accented but nevertheless moving narration as she reads about her love affair with Paris to her French class. In fact, that touch only made her and her story just that much more adorable. Bravo to whosoever decided to go with it.

The rest of the stories are also quietly compelling in their swift simplicity and I particularly enjoyed Quais de Seine (lovely job, Gurinder Chadha and Paul Mayeda Berges), Loin du 16e (a quiet gut puncher about a mother who for income's sake has to sacrifice her time with her own child in order to take care of another), Tour Eiffel (entertaining as hell mime love story) and Quartier des Enfants Rouges (excellent tale twist and Maggie Gyllenhaal, yet another reason to love her).

Honestly, cheers to all the directors for such a lovely piece of cinema. C'était vraiment incroyable.

Tuesday, January 12, 2016

The ONE tattoo I would ever get...

... would be this.



Unfortunately, I'm pretty sure my threshold for ongoing needlepoint pain is far too low.

Maybe one day, eh?

Saturday, December 13, 2014

Mari Madrid speaks to me...


As someone really, really close to a lot of people who put a high value on make up and non-surgical cosmetic enhancement, believe me I understand that some of those different folks' strokes with which I just cannot relate all have their own merit, particularly for those who approach it from an artistic and skillful rather than a purely cosmetic perspective. Furthermore, I understand that enhancement isn't the worst thing. Makeup can genuinely enhance facial beauty without being so grossly deceitful and that is a positive thing.

But at the end of the day, everything that Mari wrote in the post above is exactly how I feel about it all. I don't personally wear makeup unless I have to (read: weddings) and it was literally just in this last week that I began wearing lipstick to work - if you could even call it that considering I realised that in contrast to my friends' advice to 'put on more!', I actually genuinely preferred just that little dusting of colour on my lips to give my face a little bit more life and so dab a little on. That is more than enough.

As someone whose grown up with an ailment that, for years, was grossly apparent on my face and my body and has since left traces, scars and bruises that will now be lifelong friends, while not always being entirely happy with how I look thanks to the wonderfully human trait of vanity, I have grown to appreciate that what people see is indeed what they get, at the very, very least in terms of how I look. There are no surprises, there is no filter, no hiding behind a mask - there is simply me. I feel an abject horror of those women who look like completely different people without makeup on and I am unabashedly glad that I will never be one of them and feel that desperate need to hide my actual self.

It also means that the mantra with which I grew up - it's what's on the inside that counts - has only been strengthened. Looks can always deceive and in the end, my focus for personal improvement will always aim itself more heavily on my character over my appearance and I do my best to consider others the same way, still often needing to battle the more superficially human nature by which I judge people based on how they look, but trying nonetheless.

And you know, were I to take it further, each mark and scar is essentially a part of who I am and what I've been through and continue to live with. They are a part of my story which makes me, me. Considering my relative personal transparency (I'll pretty much talk about anything, with anyone, within general propriety of course), there then exists some form of cohesion between how I approach the way I look and my actual personal character.

But there I drift into douchey territory so I'll pull back.

What it comes down to? Aside from essentially trying to look nice, neat and presentable, I'm happy to face the world with my actual face. I'm comfortable in my own skin (well, for the most part... cheers, eczema) and feel very little need to abide by a standard of physical image that will never, ever be inclusive of all. While I would love it if this wouldn't bring with it odd looks and often grossly inconsiderate criticism, to each their own. I've nothing to hide and I'm happier being who I am and not who others want me to be.